The Heil PR-40 is a podcaster’s favorite. Personally, I love the sound you get with it. Telefunken makes excellent microphones and this little guy is great. It has two EQ switches to boost both low and high frequencies depending on your recording needs. The Telefunken M82 is another mic that is great for both kick drums and vocals. In my mind, this makes it one of the best values out there and it produces great sound. There is no need to get a shock mount or windscreen as it comes with everything built in (plus it comes with an additional windscreen, not pictured). The Shure SM7B is my favorite dynamic microphone under $500. You’ll find sets of these in many radio and podcasting studios, in addition to home studios. With excellent compensation for proximity effect and off-axis pickup, the RE20 will be equally valuable for both beginners and professionals. It also works well for bass drums.Ī radio and broadcast classic, the Electro-Voice RE20 won’t steer you wrong. It uses neodymium magnets, has an EQ switch for flat, vocals, or instrument miking, a switch for presence boost, and can handle high SPL. It is a large-diaphragm hypercardioid dynamic mic with a built-in shock mount, flat frequency response, and is built like a tank. That’s not to say it’s not an outstanding microphone, I think it’s more of a marketing issue – or maybe I’m just talking to the wrong people, hah! A solid choice for voice over, podcasting, and radio.įor some reason, I don’t hear the Beyerdynamic M99 mentioned a whole lot.
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It has a built-in pop filter, is effective off-axis, and is great at not picking up room noise. The ability to dial in specific frequencies.I spoke highly about the Electro-Voice RE27N/D in our post about the best XLR podcasting microphones.įor about $50 more than the RE20, you get: Best Dynamic Mics Under $500 Electro-Voice RE27N/D
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It has a built-in shock mount and a removable grille, but you’ll definitely want a boom arm or mic stand that can rotate and adjust to get the BCM 705 in the correct position. It has a hypercardioid pickup pattern, but a slightly higher self-noise level that other competing microphones, so you’ll definitely want a high-quality preamp to drive this thing. The Neumann BCM 705 is another top-of-the-line dynamic studio mic that was released in 2005.
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It has a supercardioid pickup pattern, 5-position bass roll-off, treble boost, integrated shock mount & pop filter, and a hum bucking coil. It’s characteristic unique shape, excellent sound quality, and feedback rejection make it worth the price. You’ll find it in many radio stations and is easily one of the best mics on this page. The Sennheiser MD 441-U is the most expensive dynamic mic on the list coming in at around $900. To save you some time, here my top dynamic mic picks in 2022 at various price points: If you’re interested in wireless live vocal mics, we have a separate article for that. Just remember to get an extra XLR cable.ĭynamic microphones also work well for live performances, so you’ll find a handful of wired dynamic mics that you’d find during a live presentation. This can introduce noise on cheaper preamps (and some might not even have enough gain to record), so I recommend considering investing in a separate preamp ( the DBX286s is a great option) or the Cloudlifter CL-1 (it uses phantom power to give passive mics an extra 25dB of gain). Like our similar article on the best condenser microphones, there are a variety of different models at different price points.ĭynamic mics, especially higher end models, tend to require a large amount of gain to record adequate levels.
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Dynamic mics are excellent for recording vocals – everything from podcasting to voiceovers to singing – and work especially well when you’re recording multiple people in the same room.